meikuree: (disco elysium horse)
another week, another media round-up.

BTW: someone's gifted me a paid Dreamwidth account twice by now. I'm not sure if they're two separate people or just the one, but if you see this, thank you! I'm really appreciative about this. I don't know if we have any fannish interests in common, but feel free to hit me up, I wonder if I could put any of my skills to use and write you meta/fic or draw you a small art piece.

Read more... )
meikuree: (zenin mai)
femslash challenge questions by [personal profile] flo_nelja and brought to my attention by [personal profile] luckyzukky, thank you!

questions )

meikuree: A headshot of Ianthe Tridentarius from The Locked Tomb, looking smug (ianthe tridentarius)
end-of-year writing meme, adapted and cribbed from [personal profile] vendettadays:

I wrote much less in 2024, which I expected and am fine with -- it was a busy year and fandom wasn't my focus (as much). my writing endeavours this year span -- behold! -- one fic for [community profile] bethefirst and one zine piece. but reflecting on just those two would get boring fast, so I'll lump my 2023 fic in too.

Read more... )

meikuree: "IT'S AN EXTRAORDINARY  FEELING WHEN PARTS  OF  YOUR BODY ARE  TOUCHED FOR THE  FIRST TIME. I'M THINKING OF THE SENSATIONS FROM SEX AND SURGERY" in text (JENNY HOLZER)
(the title's a bad Strokes reference.)

another round of fic recs, with a little gen sprinkled around and vaguely dirtybadwrong or bad-bildungsroman themed (as usual my preferred escapism can be summed up as "women psychosexually torturing or imprinting on each other"). less comprehensive than usual because I'm just clearing out a backlog, apologies:

gen
rock, river, permeable flesh by (The Locked Tomb)
The end of time. Gideon boards a train.

A wreath of reeds by (Disco Elysium)
Steban, touch grass. Grass, touch Steban.

f/f
poma venusta by Anonymous (Hilary Tamar Mysteries - Sarah Caudwell)
Dulcia non semper sunt ori poma venusta. Selena and Julia, leaving a party.

the opening alone is divine. and this moment:

quoteAs though it were something that Julia had long known she had on hand, like a book or a bottle, and had but to take up and open. The extraordinary, consuming absence of the tension of the opening gambit, as she had always thought of it – not ungratifying, not wholly unerotic, to observe the effect achieved, but one never lost the sustaining consciousness of what might follow after: a belt to unfasten, or a tab to be paid, or a lecture to attend. A question of judging the diplomatic minimum, of withdrawing while still wanted. A little antechamber spent thinking, mostly, about films and poses: how the leads fitted together, where the actress put her hands.

She had not thought, below the windows, about where to put her hands. She had not known whose hands were whose. There had been no occasion for the surreptitious glance downward to see whether anything had risen, like the strong back of a fish half seen in the water, to what you could not help calling, if that were the model you were using, the lure. There had been no thought of after, or at all. For five minutes, unprecedented in her brief, avid, largely successful amatory career, hers had not been the directing intelligence.

geist, geist, ungeist by (Tár (2022))
“She’s nothing to go wrecking your life over, you know.”

Krista, Francesca, and Maestro - before the events of the film.


read this fandom-blind based on someone's rec, because life's too short to cheat yourself out of the delicious sociology of terrible mentor-protege relationships or something. this exchange amused me an unreasonable amount (NSFW heads-up):

quote
“You’re a shit lay,” Krista whispered. Fran groaned, pushed her off.

“Shut up.”

“You eat cunt like you hate it.”

“Because I do hate you. I hate you and your cunt.”

the look of it by (Dune - 2021, Jessica/Liet Kynes)
"I am—" She paused to flick through her titles. "Fremen. We survive by noticing the smallest shifts in the desert."
(Jessica and Liet's paths intersect for a while longer at the station.)
I'm always reccing [personal profile] cordialcount's stuff, whose writing has the 3 Bs (brutal, brilliant, beautiful), and stuns me half into wordlessness and half into enjoyable analysis all the time. this fic in particular is convincing and sold me on these two (headcanoning now that Jessica abandoned her prophet son to go gallivant with another MILF, brb), and it's also one of the hottest fics I've read, all without having any explicit or on-screen sex (that use of porn as worldbuilding, man).

quotesIn the palmaries of future ecological formulae: Jessica reached through the candelilla and verbena toward Liet. The light, luscious in its wet reflection, dappled Jessica's ankles, her thighs, the wave of her hair before it fell into the blooms. A tower from another world, in her height and self-possession. Liet shuddered in the grass as she never would have wasted sweat to do in the harsher sun of undreamt Arrakis. Jessica's Voice scraped out of her like sandpaper as it found Liet's mind and scoured it smooth.

[...]

Liet could still feel the slick of the last evening inside her stillsuit as she undressed. Jessica's moisture, recycling through and through her.

Too soon to find marriage or a lover, Jessica said. You won't be tamed by either. I was a half of something when Leto was here, but Liet, you don't plan to be half of anything.

Liet cupped Jessica's belly with the soft palm of her hand, where the calluses didn't reach. She breathed in. Even the air felt—smelled—damp this close to Jessica's body, underlain by the warm complexity of spice when the muscles jumped in her thigh. Use the Voice, then, Liet whispered. Tell me to fuck you like no one else exists in the world.

the gallows in paradise by (Dragon Age, Calpernia/Leliana)
The war against Corypheus approaches its natural end. Leliana finds his general, Calpernia, half-dead in a river and attempts to make her a tool for Inquisition use. But knives cut both ways, and Calpernia discovers a mystery to unravel Leliana's entire world.

a gem of a rarepair, and I like the exploration of the horrible and insouciant and horribly insouciant hegemony of the narrative 'heroes' in the Inquisition. plus this line:

There are still gallows in paradise, Leliana. They just hang the anointed ones with silk rope.

architect of a whole world's nightmares
by (Danganronpa, Enoshima Junko/Ikusaba Mukuro, sibling incest)
“The wind’s really loud here,” says Mukuro, and her tone is very flat, almost uncannily extremely exactly as though she’s trying to hide a breaking heart! “I didn’t get all of that.” Junko imagines her: underground, her snowhole, scraped out till it fit as close as a womb, eyes blank – impassive – ice cold! – and she’s wrapped in furs and snug in a sleeping bag – no, she’s naked and snug in a sleeping bag, and Junko runs one soft bare foot up one smooth bare leg and shivers at the thought. “Did you need something?”

“Thinkin bout you!” says Junko. “Thinkin bout the apocalypse.”

(Mukuro spends three years as a soldier and a missing person, and she still can't get away from Junko: but even if she could, she wouldn't.)


The Preservation of the World by (Ginger Snaps, Brigitte Fitzgerald/Ginger Fitzgerald)
“I went to the woods to live deliberately,” she shouts at Ginger’s back, clad in a red puffer jacket to avoid being mistaken for a target. The irony is not lost on Brigitte.

Ginger turns round, looking completely unimpressed. “You did not,” she says, hair tucked into the back of her coat, too-pale face peeking out.

“No,” Brigitte admits. “I did not. I went to the woods because otherwise you were going to end up in a lab, on your hind legs begging for a biscuit.”
meikuree: (amrita sher-gil)
recent poems:

the poems )

last night I dreamed that I was sitting for one of my secondary school Chinese oral exams again, in a generic indoor basketball court, trying to tell the assessor sitting opposite about politics and the president and existentialist philosophy (not topics which would've come up in any actual exams to test the ability to verbally elaborate on one's 思维观点, [un]fortunately). I was getting frustrated in the dream because I was speaking Chinese just fine aside from all these terms which were just on the tip of my tongue, but I could only say them in English when I opened my mouth... when I woke up I was relieved I hadn't forgotten how to speak Chinese.

other odd and mundane stress dreams:

meikuree: (snowing in revachol)
Hi there, and thanks for creating for me! Yuletide is always one of my favourite exchanges to browse, and I'm excited to see whatever you'll come up with. I’m omnivorous and easygoing, so please don't worry about the details below, they're just springboards if you're stuck; I love many things on the scale of dark and weird to joyful and mellow. You can go in other directions or dust off an old piece as long as you respect DNWs.

Treats are always welcome. I can be found elsewhere at [tumblr.com profile] meikuree on Tumblr and [archiveofourown.org profile] meikuree on AO3.

General Likes
  • gen, f/f, fic of all ratings
  • nuanced, intense, or unconventional relationships
    • enemies/friends to lovers, or scrambled versions
    • relationships ambiguous or difficult to define
    • relationships which require work; relationships where people need more than each other to be content
    • love or loyalty mingled with resentment, etc. complex feelings in general!
    • codependency, manipulation, (inverted) power dynamics
  • pre-canon, post-canon, canon-divergence AUs; canon extensions or explorations, including of marginal places, ideas, details, or character interactions only hinted at
  • banter, humour, worldbuilding, character explorations, missing scenes, hurt/comfort, slice of life, crack treated seriously
  • ambiguity, bittersweetness, hopeful/melancholic moods, second and third person POV, experimental prose styles or structures (e.g., non-linear narratives, interactive fiction, metafiction, genre pastiche, etc.)
  • friendship, courtship, worldview clashes, physical intimacy, reunions, gestures of love (sweet or violent), getting together fic, mentor/protege dynamics
  • characters grappling with suboptimal or dysfunctional circumstances and settings (whether darkly or constructively)
  • cultural, sensory, setting details; architecture, scenery porn, indulgent and loving descriptions; theatre, performance, competence, confidence; ‘fish out of water’ scenarios
  • confrontations, denial, emotional repression, unhealthy coping mechanisms, role reversals
  • deranged maximalist or megalomaniac characters; emotionally straitjacketed or alienated characters
  • dreams, liminal places, hauntings, fractured identities, surrealism, magical realism, absurdism, ceremonies (funerals, send-offs, baptisms, etc.)
  • history, the calm before/after the storm, beauty amidst bleakness and cruelty, ruins and remnants
  • backstories, matriarchial families, complex mother-daughter relationships, weaponised femininity (literal or metaphorical), dysfunctional families, ambivalent legacies or heritage
  • psychological/existential horror, atmospheric bleakness, gothic settings; body horror, pain as an axis for transformation or self-knowledge, the weirdness of having a body, being alien to yourself
  • recovery, uneasy aftermaths; romanticised cannibalism, moral ambiguity, incongruous domesticity, unexpected joy or tenderness, Faustian bargains, ethics, material culture, characters denied catharsis or reaching hard-found satisfaction
  • road-trips, greenery and NATURE, everyday streets, water bodies, hair-washing, wound care, bathtubs, political economy, politics mixed in with mundane life
  • tragedy, loss, grief/mourning; stories about being unable to return somewhere; stories about living with loss
  • unreliable narrators, narratives colluding with characters of uncertain morality, estrangement, falling for the "wrong" person (&/ being happy about it)
  • narratives about monstrosity; benevolent monsters (interpreted widely), monstrous women
In general, if something appears in canon, I'm fine with it being referenced or appearing in fic aside from DNWs. That said, if your gift needs it, I'm also fine with: F/F dub/noncon, F/F incest, side characters or relationships appearing, infidelity, disordered eating (more on restriction and the psychological side, e.g., extreme or 'irrational' negative perceptions of food, than binging or purging), suicidal ideation, self-harm, major character death, and unhappy/ambiguous endings.


NSFW Likes I love very emotionally intense or character-driven sex. I love fraughtness as much as characters exploring a kink just 'because', or kink that sheds light on new aspects of relationship dynamics. I also enjoy sex as a way to process trauma or intimate interface for embodiment, complicated histories/dynamics, and more. I'm cool with past sexual assault being referenced or sex needing to stop because of old wounds/trauma, for instance.

Most of all, I'm great with so-called 'vanilla' sex (fingering, oral, penetrative, grinding), but I'm also very into Liminal and Weird Sex, such as dreamsharing, sex you can't be sure is happening, sex where the script changes because you're applying it to a monster/eldritch horror, or symbolic/metaphorical sex (e.g., sex as apotheosis), and so much more. This list is general because I don't always have specific kinks I like to see, so if you want to write a kink because you think it's fitting for the characters or setting, please go for it!
  • character study via porn
  • choking or breathplay
  • clothing kinks, clothed sex
  • crying during sex
  • dom/sub undertones, abuse of authority
  • dubious consent (of any kind, e.g., due to power imbalances, identity issues, "fuck or die" scenarios, sex pollen, altered mental states, etc.)
  • finger sucking
  • oral sex and/or fingering
  • first times, loss of virginity
  • focus on hands, wrists, necks
  • friends/enemies with benefits
  • bad/awkward sex (either funny or depressing), talking during sex
  • emotional sex, grief-fuelled sex, hair-pulling, under-negotiated kink, characters kneeling
  • edging, meandering sex, sex that may not revolve around orgasms
  • gentle/caring or reverent sex
  • gunplay, knifeplay, (mis)use of magic
  • painplay, consensual pain/violence (especially if characters get off on it)
  • psychosexual obsessions or tones, plotty porn, politics with porn, “if I must solve a dozen geopolitical problems just to have sex with you then I will”-esque dynamics
  • sexual fantasies and masturbation
  • sex as self-harm, desire asymmetry
  • sex described in unconventional ways (preferably in line with the tone of canon)
  • sex that necessitates adjustments or creativity (e.g. for chronic pain)
  • sex that is actually about something else; sex where characters think about their relationship to god or other highfalutin things; things that are objectively not sex being, in fact, a sex scene (example)
  • smoking kinks, stubbing cigarettes on someone
  • someone denying another person sex because they think it’ll fuck them up; people fucking anyway
  • erotic body horror; sex that's objectively normal but reads subjectively like body horror due to things like disorientation, power imbalances or interpersonal fuckery, dissociation, embodiment issues, or in-universe reasons

General DNWs
  • M/F sex/noncon or M/F incest (if canon, references are fine); unaroused victims
  • explicit underage sex < 18
  • bestiality
  • genderswap (unless requested)
  • kidfic/de-aging (childhood flashbacks and scenes are fine)
  • pregnancy/abortion, characters expressing the desire for biological children (unless canon)
  • mundane AUs (e.g. coffeeshop, high school AUs)
  • extensive descriptions of weight gain/loss; forced feeding, stress-eating (unless it's cannibalism), mentions of calories, explicit fat shaming
  • graphic descriptions of war crimes (especially by Imperial Japan)
  • scat, emetophilia, watersports, age/race/petplay, breeding kinks, cervical penetration, weight gain/stuffing kinks, spanking, omegaverse
  • trypophobic imagery (clusters of holes)

List of Requests

Blue Eye SamuraiAkemi, Mizu

I adore their unexpected commonalities and how clearly they see each other, in a universe where social webs of discrimination and misunderstanding reign supreme; they're both attuned to characteristics in each other that other people ignore such as anger and resourcefulness, while seeing through the ones that are socially valorised like Akemi's talent for sweet words and flattery. I'd be down to hear your take on how they might cleave under some layers with each other to touch and connect with the hidden substrates of anger in each other, even as their inevitable divisions exist and intervene. Scenes that presage more, beginnings of something deeper, alternative pre-canon accidental meetings, looks at both of them slash-and-burning their way through Japan's norms in their own high vs. "low" avenues would all be welcome!

Episode 5 was a highlight for me, what with the metafictional staging of Mizu's backstory and the way we learn about some key components for what makes Mizu tick: the constant proof that the other shoe will drop in others' reception of her because of Mikio and her mother turning her back on her, the incongruity of her talents with the domestic sphere, her sobering acknowledgement--but not total personal belief--that her talent for swordsmanship will always be inherently parsed as threatening by accidents of societal position. With all that in mind Akemi's one of the best-positioned people to explode those assumptions in Mizu's worldview and vice versa too, and I'd be delighted to read your take on what they learn, or take away from each other, or even any dissonant neuroses they make each other devolve towards if you fancy. No need for full-on happy endings or even conventionally requited feelings here -- if you see them parting ways eventually but still indelibly emancipating each other amidst their separation that'd still be a fantastically romantic story to me!

I'll admit I was ambivalent on Akemi's "I want to be great" and shogunate arc, but more because of the how than the what -- I thought her bridge declaration was a moment of character undevelopment for her earlier realisations about the prisonhood of her station, and I wasn't fully convinced of "girlboss her way through" as a coherent answer to all the discontents of her fate. There is more than a single path! That said: you don't have to shun that arc at all, I'm happy to read your take on BES's rich canon tapestry. However if you like me have wrung your hands trying to decide on a more fulfilling arc for Akemi as if you're Akemi personal college counsellor then I am equally down for your most bombastic, out-there, or covert subversion of her canon fate(s). Akemi maintains ties to a underground network of spies and intelligence made up of the women she met in the brothel? She ekes out spaces of escape from the imperial palace(s)? Go for it!
  • That first encounter on the bridge: what went through Mizu's mind? What things made Akemi stick clearly in Mizu's mind, beyond the fact that she's a lady?
  • Incongruous domesticity, or: I like the idea that Mizu and Akemi would probably be horrible at domestic chores, Mizu by canonical confirmation and Akemi by inference (see: her highborn station); feel free to give me disasters that would ensue from them living together, and how domesticity might take a backseat to their respective quests and simply form a backdrop for other political/extralegal (i.e. Mizu's revenge quest) developments.
  • AUs where Mizu and Akemi stay longer at the brothel; scenes exploring the brothel's impact on them.
  • AUs where Mizu arrives at the bridge earlier, doesn't go to England, and compels Akemi to go on the run with her.
  • Alternative formats: I'm open to in-universe looks at Mizu/Akemi's relationship through historical documents or artefacts set in the future.
And entirely optional ideas/headcanons:
  • Akemi possessing knowledge of historical instances of gender non-conformity like onna-musha from all that reading and teasing/taunting Mizu with YOU THINK YOU'RE SPECIAL? all while Mizu is like: 🥹
  • Akemi and Mizu respecting each other's respective skills in craftsmanship.
  • I'm quite taken with water as a metaphor for Mizu: to shamelessly quote one of my friends Mizu is a thoroughly relational character whose modes of connection with the world are tragically shut off by that same world, and like water she relies on inputs, ecology, a place in a wider world.
I'm cool with any treatment of Mizu's pronouns though I use she/her personally - write what you're comfortable with!

Some of my DNWs are waived for this fandom; I'm fine with depictions of Mizu/Mikio but would rather not see detailed descriptions of sex for Akemi/Taigen or Akemi/Takayoshi. Given Akemi's position as of the finale, I'm fine with her being conscious of expectations to produce heirs, but would rather not see her written as someone uncomplicatedly embracing parenthood or motherhood without being aware of it as a politically necessary move.

I'm also fine with M/F sex being in the background given the general setting and the fact that the show is set in brothels for part of the time but would prefer as little emphasis on M/F noncon in the worldbuilding/setting as possible.

Exordia - Seth DickinsonAny Character(s) (Arîn Tawakuli, Blackbird, Rosamaria-Blackbird, Iruvage, Jiyan "Anna" Sinjari, Khaje Sinjari, Ssenenet, Ssrinsahautha-ku-Ssraaa | Ssrin, Worldbuilding)

I mean it. Go buckwild with featuring any of the tagset characters! Exordia is the new shiny fascinating fandom taking up residence in my brain. I don't have a lot of specific ideas, but I'm intrigued to see your take on Exordian empire shenanigans, the characters' fates in the BIG SENTIENT SPACESHIP, the ethics of drone strikes, the ugly human costs of American imperialism and exceptionalism, and I'm fine if you mix upsetting historical events with crylaugh-inducing gallows humour like the canon does. I think this book is begging for worldbuilding excavations too, so feel free to take any of the many events that likely made you go "WTF was that?" and dig into it.

I'm curious about that framework of narrative importance powering genocide and imperialism -- and it could be interesting for this canon to broach events which blur the lines between free will and uhhhh narrative convenience (in the Exordian sense) among characters we've already seen. Especially if you bring in the eightfold passions!

In general however I do appreciate how Seth writes the Tawakuli women as strategists and resourceful people than simply recipients of geopolitical menaces, whose historical pain may be marginal in the narratives of American imperialist projects but are in fact central to the mechanisms of subjugation. I like that nobody in Tawakul really finds it strange for Tawakul to be so central to intergalactic geopolitics -- because there is no split between 'normal' geopolitics and what happens to the everyday lives of remote or marginalised peoples.

A rough grouping of characters and prompts:

The Kurdistan troupe (Arîn, Khaje, Jiyan "Anna" Sinjari)
  • I wish we'd gotten to see more of life in Tawakul and some of my favourite hysterical moments were the conversations between Arîn and Khaje. Please feel free to give cursed domestic moments with a drunk utterly parenting-indifferent Khaje who has to fend off an Arîn trying enthusiastically to adopt her as a surrogate mother.
  • Cursed domestic life with Ssrin after the whole New York prelude. How does Ssrin fend in the company of humans of the same breed who are nonetheless so different and armed??
  • AU or headcanon... thing... that Arîn may be Anna's hesper-mate. If so, gee, isn't it supremely convenient that Tawakul had the conditions to birth someone like Arîn?! This and more free will questions in the local news o'clock in Tawakul.
  • Does Rosamaria-Blackbird conjure up a Space Uber at some point and return to earth to visit Arîn?
  • One thing that breaks my heart is how Arîn and Anna's positions are reversed by the end: Arîn's the ""exile"" who has to leave her community behind, and Anna is... part of something again. I'd love explorations of them as foils and parallels!
I'm cool with Khaje/Anna, Arîn/Anna, and any and all relationships.

Love Island in Space! (Blackbird, Rosamaria-Blackbird, everyone on the spaceship at the end)
  • Self-explanatory title, sorry. Um, but yes, shenanigans?! Weird grief-fuelled loopy adventures? Dark warped Doctor Who-style visits to planets and sinister doppelgangers?
  • Sex pollen/fuck or die scenarios. Rosabird has the worst idea of how to make humans relax. Along these lines: everyone gets dosed with a truth serum. Nobody has a good time.
  • More little magical cannibalism.
When a snake loves another snake very much... (Ssrin, Ssenenet)

Haha, I'm sorry (again). The title was my silly segue for lesbian sister-snake incest but in honest terms I'm just down for anything that explores their history and Childhood on Exordia, gen or not or blurring the lines between. I'm also intrigued by all the lingering descriptions of Ssrin's womb at the end of the book?! What's going on there? Did Ssenenet do something to her? How did they end up on opposite sides of a bloodthirsty intergalactic conflict?

THANK YOU, NEXT (Iruvage, Ssrin, Iruvage's favourite most reviled humans)
  • Iruvage endeared me with his stuck caps-lock button. I love that he is SO campy. You could write an entire first-person villain monologue from me and I'd lap it up. 
  • The hint that Iruvage might have had a lesbian hook-up with human!Rosamaria???
  • Where does Iruvage go? What was Iruvage like in snake alien school? What insufferable philosophy bro disses or things has Iruvage done in his lifetime?
  • Iruvage the hopeless romantic for his patron.

舞妓さんちのまかないさん | The Makanai: Cooking for the Maiko House (TV) Any Character(s)

I love what this show does with sisterhood and community, and I love Hirokazu Kore-eda's poetic directing style! I'm cool with various tones, including ones more pensive, slightly more dark, and bittersweet than the show's. For any pairings here, feel free to bring in all the cultural, culinary, and historical details you want or may know, and feature other characters seen in the show like Tsurukoma, Kikuno, Kotono, etc. and write about other parts of life in Kyoto, generally.

I've written ideas for some possible configurations of characters below, but if inspiration for a different ensemble of people strikes you please go ahead. I'm also down for bringing in ALL the side character(s) of this show or exploring interactions between unexpected characters, please surprise me!

Mother Azusa & Ryoko

I love bittersweet and complicated mother-daughter relationships so I’d just be thrilled to see any further fic dwelling on or developing their relationship. How does Ryoko feel about Mother Azusa’s bond with her “nominative” daughters? What does Ryoko yearn for from her mother? What sides of Mother Azusa does Ryoko see that the maiko may not? How do things change post-canon, when people are moving on from the maiko house?

Momoko & Yoshino

They’re both “alumni” of the maiko house but they followed such different paths, only to converge again during the show! Their dynamic’s fascinating to me as a result; Yoshino is worldly but less committed to being a maiko, and I sense that beneath their differences they both share the same desire to push back against some geiko traditions. How does Momoko regard Yoshino and do they come to new understandings? Did Yoshino know Momoko’s real, non-geiko name? What scenes might’ve happened in their training days? Or anything else, really! Momoko/Yoshino would be welcome if you’re considering it.

Kiyo & Sumire | Momohana

Food as a love language… :,) Their bond drives much of the show and I love how careful and tender they are with each other. The fact that others in the house pick up on it and compare them to a husband-and-wife pair too (!!). How do things change after Sumire’s inauguration as a geiko? How does Kiyo feel about her new name—are there any ambivalences? What things do they carry with them from home, and how do the seasons (interpreted widely) unfold for them? Kiyo/Sumire is fine and welcome if you feel like writing it.

Momoko & Sumire | Momohana

Love their mentor/mentee relationship; what about Momoko teaching Momohana more dances, wisdom about their trade, and showing a different, quirkier side of herself to Momohana? Momohana seeing things through Momoko’s eyes while developing her own style and identity as a geiko? Do they push back against or subvert any geiko history or traditions together?

Shogun (TV 2024)Toda Mariko, Ochiba No Kata, Usami Fuji

Shogun captivated me with its competently and intricately written political intrigue, and I love the unconventional, fulfilling p/bathos of its ending. I think its runtime was perfect and little was superfluous in its pacing. That said: I'm now craving excavations of its women of all stripes, from their backstories to their philosophies and worldviews, as well as just spending time unpacking all the worldbuilding goldmines in this show. If you wish I wouldn't mind any incorporation, inspiration from, or allusions to real-world Japanese history and would in fact be elated to see the literary/cultural/historical details that enchant you.

I've selected giver's choice for this fandom and would love any stripe of gen or f/f you want to write, but I'd also like to put it out there that I'm fine with any configuration of F/F between Fuji, Mariko, and Ochiba no Kata/Ruri, including multiple pairings in a single fic if you like.

References to Mariko's husband or her relationship with Blackthorne are fine, but I'd be grateful if you avoid on-screen descriptions of M/F sex or endgame Mariko/Blackthorne.

Toda Mariko
  • Life stories, poetry, her negotiations of the line between Catholicism and Shintoism and Buddhism.
  • AU where Mariko survives (it was an elaborate ploy all along!) and goes incognito or undercover after.
  • Post-canon meditations or studies of grief from other characters about Mariko.
  • All of Mariko's scenes with Ruri/Ochiba no Kata made my heart sing. To... shamelessly cite myself, I'm sorry... I wrote a little about them here. There's lots of history there! I'm taken with how clearly and piercingly they see each other, so agonisingly so that it's difficult for them to make direct eye contact during that interpretation in the garden scene. All this happens while they're dancing across a chessboard of politics, resentment, and wistful pining for what they've each lost over the years!
  • Mariko and Ochiba are, imho, the perfect candidates for the "If I must solve a dozen geopolitical problems just to have sex with you then I will" trope.
  • AUs where Mariko... somehow... ends up attached to Ochiba no Kata's entourage instead and works as an interpreter for her with all the blurring of professional and personal boundaries that entails.
Usami Fuji

In a show full of people weathering adverse circumstances and difficult choices, I think Fuji's are some of the ones that have touched me the most. I'd be delighted by any snapshots of her life in a nunnery or canon-divergent scenarios where she crosses paths with Mariko, Ochiba no Kata, or any of the women in Shogun more!

Ochiba no Kata
  • More loaded confrontations with Mariko.
  • Ochiba no Kata exuded an insane amount of presence in the show, but I'm curious -- who is she when behind screens and out of visibility? How does she parse her own decisions and/or trajectory to herself?

The Left Hand of Darkness - Ursula K. Le Guin

Ashe Foreth rem ir Osboth, Arek Harth rem ir Estraven, Therem Harth rem ir Estraven

This book is simultaneously close to my heart and something I’m incoherent about, so I apologise for the brief prompts below! TLDR: I’d love to see your take on these relationships. Any configuration of the requested characters is welcome, although I mainly have prompts for Ashe/Therem and Arek/Therem below. Feel very free to bring in worldbuilding (working off myths, folklore, economics, architecture or social customs, politics, kemmer, etc.) or explore and extend implied scenes, pick at that lingering plot detail that stuck out to you, and so forth. I love Le Guin’s anthropological eye, and minutiae of life on Winter is welcome.

I’m fine with any treatment of Gethenian pronouns, though I’m slightly fond of the universal ‘she’ in some of Le Guin’s short stories in this universe. We perceive much of Gethenian gender through Genly's eyes, so I'm intrigued by the idea of seeing a Gethenian's insider perspective on their gender system or the sociality/performativity of gender, beyond what we hear from Therem, as well as any slants of gender that are 'alien' (to humans in Le Guin's universe) but also humanised. Along those lines... I'm down to hear about how different Terran humans may have a big internal heterogeneity of positions relative to the big ~cultural cloud of gender~ themselves, and if notions of gender change for Terrans who are racialised/gendered in different nuances or shades.

I've selected giver's choice and am fine with any configuration of characters or pairings appearing in fic. Some ideas for possible pairings below (but please don't limit yourself):

Ashe Foreth rem ir Osboth/Therem Harth rem ir Estraven
What a tragic relationship; I’m down for first meetings, things unsaid but affecting them from Estraven’s past, or a look at how their relationship might’ve been like before things soured and after the souring began. Feel free to give focus to Ashe’s life; I’m interested in how Ashe’s role as a Foreteller (or aspirations to it) shaped them both, including after their separation. If Estraven survives, do they meet one last (bitter) time, or get closure?

Arek Harth rem ir Estraven/Therem Harth rem ir Estraven
  • Moments from their early lives together; when or how they fell in love. Did it happen gradually?
  • Their kemmers; how they felt about the myth they were named after.
  • Arek as a metaphorical (or literal?) ghost haunting Estraven’s subconscious. (Dead-ended) desires for reunion from Estraven with their sibling. 
I like the theory that Arek died by suicide (like in the Gethenian tales about doomed kemmerings), but I’m not beholden to it and I think alternative ones are just as interesting; other takes are welcome!

We Are Lady PartsSaira, Ayesha, Bisma, Momtaz

This show is equal parts moving and hilarious and I love everything from the band's witty songs to Saira's unbeatable romantic tension with every woman she talks with to their dynamic together. I've watched Season 2 as well, so feel to bring in events from it. I've selected giver's choice and mean it: write any configuration of the requested characters that compels you!

I have a soft spot for Saira/Ayesha, in contrast to prevailing fandom preferences, but I'm fine with any permutation between Saira, Ayesha, Bisma, and Momtaz. You don't have to explain anything to me about current canon girlfriends or boyfriends or whatever either -- you can just handwave them if you prefer!

Totally optional prompts:
  • I'd love to see that in-universe Saira/Ayesha RPF fanfiction people were writing. Feel free to write the band reading or reacting -- or even work in more serious things about celebrity and public/private personas and the lived complexity of that split for Muslim musicians nested within London Islamic communities if you like!
  • I have an amateur pet interest in fashion, so if you want to dress the band members up in more androgynous outfits or taking up more modelling gigs and exploring/exploding the twisty absurdist world of photography and acting I'm down for it! How about more of Saira sticking to her guns or trying to find some way to do an endorsement that doesn't have to rely on capitalist logics... unless?!
  • Behind-the-scenes songwriting, explorations of each member's unique voices or songwriting processes. This genre-bending show is ripe for it, so: please feel free to add a magical realist twist.
  • I love that many main characters we see have 'typically' working-class jobs like food delivery/Uber drivers, butchers, and posties -- it's rare to see 'rise of a band' or storylines with similar cachet given to people in cosmopolitan London boroughs. Do the band members get any inspiration for songs from their jobs and the absolutely wrecked work landscape of London? Or more vignettes of their mundane competences outside of band moments.
meikuree: A headshot of Ianthe Tridentarius from The Locked Tomb, looking smug (ianthe tridentarius)
prelude 0.1.2.1a to a highly self-indulgent Thoughts on Writing and Style post, perpetually deferred to the land of post-graduation life:

Read more... )
meikuree: (ye riqun)
been slow on replies due to thesis-writing struggles, but a quick post:

I've been meaning to write about the concept of inverse specificity. it's really a concept I've poached from Slow Violence and the Environmentalism of the Poor by Rob Nixon, specifically from his chapter about fossil fuels and the puzzling lack of a literary riposte to something that has dictated and underpinned the sociopolitical life of a major half of the century:
Read more... )
meikuree: (yoshida hiroshi)
very 'overdue' reading round-up of interesting articles/books/marginalia I've come across. in the spirit of "good is better than perfect":

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meikuree: (Default)
today's "buy 1 get 1 free" deal on fannish commentary: elsewhere, have some tumblr meta I've written about Zen Cho's Black Water Sister.

while writing fic for BWS for [community profile] bethefirst, I juggled three goals:
  1. staying faithful to the spirit (ha) of the book, if not Zen Cho's prose
  2. expanding on jess's relationship with her girlfriend
  3. post-canon expansion on what happens after jess's decision to come out
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meikuree: (sofia boutella)
a quirky incident: my partner ordered a democratic theory book online recently. the package came alright, but when we opened it it had a pack of walnut biscuits inside instead of the Oakeshott tome we were expecting. turns out the sender had mixed orders up, but if it hadn't happened irl it would've sounded like the start to a surrealist story. the sender said we could keep the biscuits; we enjoyed them. I felt sorry for the other recipient, who probably wouldn't find the same use or enjoyment from Oakeshott's writing.

recent happenings:

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meikuree: (ye riqun)

doing some indulgent fashion blogging as a palate cleanser for my brain, because I've survived A Month. I've been getting into the ridiculous rabbit hole of fabrics, r/BuyItForLife (a sub where people discuss brands and products made to last), and lots of window browsing on Vinted.

vinted's like a european ebay, except with a much better and sanity-preserving UI. the user demographic also tends towards older married women with children, who all have the amazing habit of selling clothes from premium brands for outrageously cheap prices, like £5-10 for a dress that cost £120 at retail. i've seen it described as a place for online car boot sales.

a thing about me: I try to buy clothes secondhand where possible, mostly for environmental reasons but also because scoring a good deal is satisfying. so Vinted's been like catnip for me. I used to think I was decent at spotting stuff that’s worth it but lately I’ve also been learning how to discern between high street brands actually "worth" the price and brands that aren’t (maje, sandro, some of aritzia) from videos by jenniferwang et al. I don't agree with everything the so-called "de-influencers" say especially the knee-jerk reasons for their objections to microplastics and synthetic fabrics, but some of them have been helpful resources.

that said, I don’t often buy things from said high street brands. I don’t have the wallet to do that guilt-free, tbh. I just like to ponder them and window shop while balking at them. I also prefer to keep a quantitatively minimalist wardrobe. lately I’ve gotten most of my recent pieces for free from my sister when she passes her clothes to me because she can’t fit or doesn’t want them any more. I still value stuff that's value for money or has a good 'cost-pa', to borrow a Japanese slang phrase, which means 60% of my wardrobe at any time can be Uniqlo and Muji. 

but I did also help a fashionable friend move apartments a while back, and in return she gave me some of her unworn clothes for free, including stuff from brands like Reformation (!!!) and COS. so I’ve had a light-touch look at some brands & their quality. quick rundown of my reviews:

 

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meikuree: (toast the knowing)
penned a tribute fic about Arîn and the characters from Tawakul in Exordia for [community profile] bethefirst:

the vanguards of the dispossessed

Fandom: Exordia - Seth Dickinson
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Arîn Tawakuli & Jiyan "Anna" Sinjari
Characters: Jiyan “Anna” Sinjari, Khaje Sinjari, Haydar Tawakuli, Soheila Tawakuli, Ssrinsahautha-ku-Ssraaa | Ssrin, Arîn Tawakuli
Additional Tags: Pre-Canon, Post-Canon, Character Study, Iraqi Kurdistan

But that was how she grew up: Arîn, daughter of everyone, favourite of nobody, a communal product. The first patriot of democratic confederalism. She hadn’t been taught to abandon Tawakul in times of trouble.

Or: Arîn, Anna, and an unspoken convergence.
meikuree: (yoshida hiroshi)
not going through any hard times (for now!), but I've been inspired by a "what's your favourite poem" post and wanted to share some of mine:

poems1.

Unrelenting
by Joan Houlihan

If by succeeding you mean doing things right, 
and exactly, then it has no future. 
Ash blows from us madly and without cause. 
To keep things the same, where do you stop 
to worship and repair? It is natural to decline. I decline. 

The modicum of life that strung the little necks 
of crocuses, that lulled the feeble seed 
into its disease called grass, that heaped the pious 
branches with their only whiteness, 
that broke silver from the jawbone of moon, 

now walks me through the same lesson of snow 
until I am humble, until I am grateful, until birches 
lean far enough to undermine their spot, their root, 
until aftergrass turns to wheat and rope, and what can I do 
but walk over it, divine another origin, cast it off.

2.

Monastery Nights
By Chase Twichell

I understand no one I consider to be religious.
I have no idea what’s meant when someone says
they’ve been intimate with a higher power.
I seem to have been born without a god receptor.
I have fervor but seem to lack
even the basic instincts of the many seekers,
mostly men, I knew in the monastery,
sitting zazen all night,
wearing their robes to near-rags
boy-stitched back together with unmatched thread,
smoothed over their laps and tucked under,
unmoving in the long silence,
the field of grain ripening, heavy tasseled,
field of sentient beings turned toward candles,
flowers, the Buddha gleaming
like a vivid little sports car from his niche.
 
What is the mind that precedes
any sense we could possibly have
of ourselves, the mind of self-ignorance?
I thought that the divestiture of self
could be likened to the divestiture
of words, but I was wrong.
It’s not the same work.
One’s a transparency
and one’s an emptiness.

3.

Self-Pity
by Cecilia Woloch

So few birds I know by name—
bluejay, cardinal, sparrow, crow,
pigeon and pigeon and pigeon again.
This morning I woke to the thump
of soft breast, frantic wings against glass—
female robin, I thought, confused,
mistaking her own reflection
for some other, enemy bird;
launching herself from the limb
of the dying tree outside my window
toward the ghost limb—there; not there.

My sister calls all birds suicidal.
Our mother sits in her big green chair,
too weary, even, to talk on the phone.
All afternoon it’s rained and rained—
all the damp world weeping, so I’ve thought.
Self-pity stinks, my mother says
and says, You should see me naked now.
Her body a map of the broken world
through which I slipped, and my sister, once.

Well, I would eat ash if I thought
it could bring back the dead,
or my own youth, or anyone’s.
Nothing gets done around here, we complain,
but I’ve learned a few trees by heart:
Here is my sycamore, Mother, Sister,
here is the branch I have loved like an arm.

4.

Most Days I Want to Live

by Gabrielle Calvocoressi
 
Not all days. But most days
I do. Most days the garden’s
almost enough: little pink flowers
on the sage, even though
the man said we couldn’t eat
it. Not this kind. And I said,
Then, gosh. What’s the point?
The flowers themselves,
I suppose. The rain came
and then the hail came and my love
brought them in. Even tipped
over they look optimistic.
I know it’s too late to envy
the flowers. That century’s
over and done. And hope?
That’s a jinx. But I did set them
right. I patted them a little.
And prayed for myself, which
is embarrassing to admit
in this day and age. But I did it.
Because no one was looking
or listening anyway.

5.

Girl Lithe and Tawny
by Pablo Neruda (tr. W. S. Mervin)

Girl lithe and tawny, the sun that forms
the fruits, that plumps the grains, that curls seaweeds
filled your body with joy, and you luminous eyes
and your mouth that has the smile of water.

A black yearning sun is braided into the strands
of your black mane, when you stretch your arms.
You play with the sun as with a little brook
and it leaves two dark pools in your eyes.

Girl lithe and tawny, nothing draws me towards you.
Everything bears me farther away, as though you were noon.
You are the frenzied youth of the bee,
the drunkenness of the wave, the power of the wheat-ear.

My somber heart searches for you, nevertheless,
and I love your joyful body, your slender and flowing voice.
Dark butterfly, sweet and definitive
like the wheat-field and the sun, the poppy and the water.

meikuree: "IT'S AN EXTRAORDINARY  FEELING WHEN PARTS  OF  YOUR BODY ARE  TOUCHED FOR THE  FIRST TIME. I'M THINKING OF THE SENSATIONS FROM SEX AND SURGERY" in text (JENNY HOLZER)
alternative title: i've forgotten how to write book reviews

note: not a spoiler-free review. also, can someone teach me how to create dreamwidth icons that won't get massively lossy in resolution after posting? I wish I could create a crisper jenny holzer slogan icon, but I'll take what I can get.

language (re)acquisition in 3... 2... 1... )
meikuree: (darlene from mr robot)
[community profile] baihe_media is a community dedicated to baihe (百合)/girl's love media in any Chinese language (including Mandarin, Cantonese, Hokkien, Hakka), such as novels, audio dramas, and more. this is a community I'm delighted to have discovered!

[community profile] latetreatbonanza is an event for writers, artists, and other creators to finish their late treats for exchange events (and more). sign-ups are open now until June to let you indicate interest in getting late treats -- there's no commitment to create something.

in benign life news, I've picked up sewing again so I can add pockets to skirts and dresses myself. I'm finding it very fun.
meikuree: (zenin mai)
link here: zenin mai/zenin maki, m-rated, 1.7k words, post-perfect preparation. warnings for sibling incest and referenced abuse.

incurable rambling ahead )


meikuree: A headshot of Ianthe Tridentarius from The Locked Tomb, looking smug (ianthe tridentarius)
it's only been a month or so since my last entry but it feels like it's been a million years

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meikuree: (Default)
I've been slow on the uptake (snowed-in by work, stress, and some health issues) but a belated happy new year, everyone!

not quite in the business of making fannish resolutions just because I've enough on my plate IRL, but I felt like sharing a permissions statement I wrote in simplified chinese and recently added to my ao3 profile:

再创作全权声明: 本人欢迎二次性创作(包括翻译,同人画,同人视频,歌表,改编作品,有声同人,等等),不必询求授权。唯一的条件就是发帖时请显明原文作者(meikuree)和链接。若有打算把再创作上载到AO3上,请在它的作品页加上”inspired by another work”(灵感来源于其他作品)的选项。

which is a translation of my statement in English:

Permissions Statement: anyone who wants to make podfic, art, icons, fanmixes, translations, or anything else based on my work is welcome to do so, as long as you link back to my original work and credit me (meikuree). please also use ao3’s “inspired by another work” option, where possible!

as it stands right now, it's written in an overly formal/elevated register and more reminiscent of the kind of language you'd find in contracts or business settings -- a dead giveaway that I'm not a usual denizen of Chinese fandom spaces (my Lofter account is underused). I felt like adding this anyway after someone asked me last year for permission to translate my SNK fic into Chinese, though it's doubtful any of my recent fandoms aside from JJK and Disco Elysium will get much traffic from chinese fans.

(extra blabbering: also conversed with them afterwards about how chinese (fan)works also leave much to be desired in terms of depth or emotional realism, which tickled me since you hear the same complaints about english fandoms lol. in their words: "更重要的是你的故事里对于情感过程的合理描写,即使在许多同人文里这也是缺乏的部分,更不用说原作了。")

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meikuree: (sofia boutella)
Hi there, and thanks so much for creating for me! All the pairings here are dear to my heart, and I can't wait to see what you’ll come up with. I’m an omnivorous and easygoing reader, so my only rule is for you to create what you'll enjoy — I genuinely love many things on the scale of dark and weird to joyful and mellow. Details here are entirely optional; you can use other ideas or simply dust off an old draft as long as you respect my DNWs. I'm [tumblr.com profile] meikuree on Tumblr and [archiveofourown.org profile] meikuree/[archiveofourown.org profile] delegation  on AO3, and you can read my past exchange letters here. All requests are for fic.

Due to time constraints I’ve written simpler prompts in some places and… left in more verbiage in others, but that's only because I had unhinged Discord conversations with friends to poach ideas from for some fandoms; it’s not an indication of enthusiasm by any means!

Treats of any medium are very welcome, including after the exchange.

General Likes
  • gen, f/f, fic and art of all ratings
  • nuanced, intense, or unconventional relationships 
    • enemies/friends to lovers, or scrambled versions
    • relationships ambiguous or difficult to define
    • love or loyalty mingled with resentment, etc. complex feelings in general!
    • codependency, manipulation, (inverted) power dynamics
  • pre-canon, post-canon, canon-divergence AUs; canon extensions or explorations, including of marginal places, ideas, details, or character interactions only hinted at
  • banter, humour, worldbuilding, character explorations, missing scenes, hurt/comfort, slice of life, crack treated seriously
  • ambiguity, bittersweetness, hopeful/melancholic moods, second and third person POV, experimental prose styles or formats (e.g., non-linear narratives, interactive fiction, genre pastiche, etc.)
  • friendship, courtship, worldview clashes, physical intimacy, reunions, gestures of love (sweet or unhinged), getting together fic, mentor/protege dynamics
  • characters grappling with suboptimal or dysfunctional circumstances and settings (whether darkly or constructively)
  • cultural, sensory, setting details; architecture, scenery porn, indulgent and loving descriptions; theatre, performance, competence, confidence; ‘fish out of water’ scenarios
  • confrontations, denial, emotional repression, unhealthy coping mechanisms, role reversals
  • dreams, liminal places, hauntings, fractured identities, surrealism, magical realism, absurdism, ceremonies (funerals, send-offs, baptisms, etc.)
  • history, the calm before/after the storm, beauty amidst bleakness and cruelty, ruins and remnants
  • backstories, matriarchial families, complex mother-daughter relationships, dysfunctional families, ambivalent legacies or heritage
  • psychological/existential horror, atmospheric bleakness, gothic settings; body horror, pain as an axis for transformation or self-knowledge, the weirdness of having a body, being alien to yourself
  • recovery, uneasy aftermaths; romanticised cannibalism, moral ambiguity, incongruous domesticity, unexpected joy or tenderness, Faustian bargains, ethics, material culture, characters denied catharsis
  • road-trips, greenery and NATURE, everyday streets, water bodies, hair-washing, wound care, bathtubs, politics mixed in with mundane life
  • tragedy, loss, grief/mourning; stories about being unable to return somewhere; stories about living with loss
  • unreliable narrators, characters being liars and frauds, conflict or fighting (interpersonal and general), estrangement, falling for the "wrong" person (&/ being happy about it), illusions of choice
  • narratives about monstrosity; benevolent monsters (interpreted widely), monstrous women
I'm fine with F/F dub/noncon, F/F incest including pseudo-incestuous or incest-adjacent dynamics (e.g., courting your dead sibling's partner), side characters or relationships, major character death, disordered eating (more on restriction and the psychological side, e.g., extreme or 'irrational' negative perceptions of food, than behaviours like binging or purging), and unhappy/ambiguous endings. Feel free to feature multiple requested ships in one fandom if you want or add in gen to flesh out a piece.

Art LikesI like a wide variety of styles; browsing my art tags here and here might be useful inspiration (general content warnings apply). Some specific visual likes:
  • art in your own style; I like seeing people's unique styles/approaches.
  • art nouveau, tarot, post-impressionist styles, symbolism and motifs (especially geometric or natural)
  • atmosphere, moodiness; light and shadow
  • constellations, water imagery; characters suspended in air, space, water, etc.
  • gouache, watercolour, ink styles
  • remixes of historical paintings or media (e.g., Leyendecker, Klimt, Toulouse-Lautrec paintings, etc.)
  • illustrations with text; incorporation of poetry or quotes, including those from languages besides English (whether as inspiration or in the art itself)
  • interiors, personalised environments or backgrounds, environmental storytelling, sunlight, coziness
  • portraits, quiet actions/scenes, art that tells a story; characters doing anything, even if simple (e.g., studying the surroundings, drinking tea, resting on each other)
  • sensuality or eroticism: implication, gesture, contact, spines, hands, gloves, cuddling or embraces
  • intensity, horror, anger, beautifully grotesque things, bandages, bloodied faces or noses, characters holding onto each other for support or their waist
  • ukiyo-e, shin-hanga, woodcut styles, Chinese ink wash paintings (水墨画)
  • use of complementary colours for contrast (examples here)
  • memes, canon parodies, cats/kittens

NSFW Likes I love very emotionally intense or character-driven sex. I love fraughtness as much as characters exploring a kink just 'because', or kink that sheds light on new aspects of relationship dynamics. I also enjoy sex as a way to process trauma or intimate interface for embodiment, complicated histories/dynamics, and more. I'm cool with past sexual assault being referenced or sex needing to stop because of old wounds/trauma, for instance.

Most of all, I'm great with so-called 'vanilla' sex (fingering, oral, penetrative, grinding), but I'm also very into Liminal and Weird Sex, such as dreamsharing, sex you can't be sure is happening, sex where the script changes because you're applying it to a monster/eldritch horror, or symbolic/metaphorical sex (e.g., sex as apotheosis), and so much more. This list is general because I don't always have specific kinks I like to see, so if you want to write a kink because you think it's fitting for the characters or setting, please go for it!
  • character study via porn
  • choking or breathplay
  • clothing kinks, clothed sex
  • crying during sex
  • dom/sub undertones, abuse of authority
  • dubious consent (of any kind, e.g., due to power imbalances, identity issues, "fuck or die" scenarios, sex pollen, altered mental states, etc.)
  • finger sucking
  • oral sex and/or fingering
  • first times, loss of virginity
  • focus on hands, wrists, necks
  • friends/enemies with benefits
  • bad/awkward sex (either funny or depressing), talking during sex
  • emotional sex, grief-fuelled sex, guilty/taboo sex, hair-pulling, under-negotiated kink, characters kneeling
  • edging, meandering sex, sex that may not revolve around orgasms
  • gentle/caring or reverent sex
  • gunplay, knifeplay, (mis)use of magic
  • painplay, consensual pain/violence (especially if characters get off on it)
  • psychosexual obsessions or tones, plotty porn, politics with porn, porn where the sex IS the politics
  • sexual fantasies and masturbation
  • sex as self-harm, desire asymmetry
  • sex described in unconventional ways (preferably in line with the tone of canon)
  • sex that necessitates adjustments or creativity (e.g. for chronic pain)
  • sex that is actually about something else; sex where characters think about their relationship to god or other highfalutin things; things that are objectively not sex being, in fact, a sex scene (example)
  • smoking kinks, stubbing cigarettes on someone
  • someone denying another person sex because they think it’ll fuck them up; people fucking anyway
  • erotic body horror; sex that's objectively normal but reads subjectively like body horror due to things like disorientation, power imbalances or interpersonal fuckery, dissociation, embodiment issues, or in-universe reasons

General DNWs
  • M/F sex/noncon or M/F incest (if canon, references are fine); unaroused victims
  • explicit underage sex < 16 (< 18 for art)
  • bestiality
  • genderswap (unless requested)
  • kidfic/de-aging (childhood flashbacks and scenes are fine)
  • pregnancy (unless canon), characters expressing the desire for biological children
  • mundane AUs (e.g. coffeeshop, high school AUs)
  • extensive descriptions of weight gain/loss; forced feeding, stress-eating (unless it's cannibalism), mentions of calories, explicit fat shaming
  • scat, emetophilia, watersports, age/race/petplay, breeding kinks, cervical penetration, weight gain/stuffing kinks, spanking, omegaverse
  • trypophobic imagery (clusters of holes)


List of Requests

Blue Eye Samurai
Akemi/Mizu

Apologies for how late this is! I've been waylaid by illness. I adore their unexpected commonalities and how clearly they see each other, in a universe where social webs of discrimination and misunderstanding reign supreme; they're both attuned to characteristics in each other that other people ignore such as anger and resourcefulness, while seeing through the ones that are socially valorised like Akemi's talent for sweet words and flattery. I'd be down to hear your take on how they might cleave under some layers with each other to touch and connect with the hidden substrates of anger in each other, even as their inevitable divisions exist and intervene. Scenes that presage more, beginnings of something deeper, alternative pre-canon accidental meetings, looks at both of them slash-and-burning their way through Japan's norms in their own high vs. "low" avenues would all be welcome!
  • That first encounter on the bridge: what went through Mizu's mind? What things made Akemi stick clearly in Mizu's mind, beyond the fact that she's a lady?
  • Incongruous domesticity, or: I like the idea that Mizu and Akemi would probably be horrible at domestic chores, Mizu by canonical confirmation and Akemi by inference (see: her highborn station); feel free to give me disasters that would ensue from them living together, and how domesticity might take a backseat to their respective quests and simply form a backdrop for other political/extralegal (i.e. Mizu's revenge quest) developments.
  • AUs where Mizu and Akemi stay longer at the brothel; scenes exploring the brothel's impact on them.
  • AUs where Mizu arrives at the bridge earlier, doesn't go to England, and compels Akemi to go on the run with her.
  • Alternative formats: I'm open to in-universe looks at Mizu/Akemi's relationship through historical documents or artefacts set in the future.
I'm cool with any treatment of Mizu's pronouns though I use she/her personally - write what you're comfortable with!

Some of my DNWs are waived for this fandom; I'm fine with depictions of Mizu/Mikio but would rather not see detailed descriptions of sex for Akemi/Taigen or Akemi/Takayoshi. Given Akemi's position as of the finale, I'm fine with her being conscious of expectations to produce heirs, but would rather not see her written as someone uncomplicatedly embracing parenthood or motherhood without being aware of it as a politically necessary move.

I'm also fine with M/F sex being in the background given the general setting and the fact that the show is set in brothels for part of the time but would prefer as little emphasis on M/F noncon in the worldbuilding/setting as possible.

Dragon Age  Leliana/Marjolaine

I've a weakness for mentor/protege relationships gone sour and narratives about broken pedestals, so these two are iddy to me. AUs where Marjolaine survives, or Leliana reminiscing (ambivalently) about Marjolaine in DA:I? Marjolaine's influences haunting and creeping into the present, literally as a ghost or not? More pre-canon looks and inappropriate closeness between the two of them.

Disco Elysium I adore this game to bits, especially its vast sprawling lore and underlying currents of warmth and humanity, the Eastern European-flavoured setting, all its notes about hopefulness in (and especially because of) people surviving in a shitsack world. Feel free to unleash your inner Inland Empire and go wild with stylistic quirks, formatting, coy historical or meta references, cracky premises played straight, and so forth. Anything you want to explore about these pairings, based off canon lore or reaching into out-there territory (this is a magical realist-ish canon, after all), would be wonderful.

Dolores Dei/Irene La Navigateur

Moral quandaries; Dolores Dei's rises and downfalls; honesty about the age of imperialism Dolores Dei was responsible for catalysing; these two are very complicated historical figures and I'd love a look at them, with eyes wide open about their crimes in the narrative.

Feel free to bring in alternative formats like historical articles, protest fliers, songs, in-universe media about them, etc.!

Klaasje Amandou/Revachol

Saw this in the tagset and went, oh, yes. I loved things like the Shivers monologues and more from Klaasje's perspective would be great, but let your imagination run free: conversations, cosmic horror, poisoned love letters (interpreted liberally) from Klaasje to Revachol? Klaasje doing things to feel close to Revachol or to just feel something? Lonely walks out upon the rainy streets at night? Vignettes or visions from The Pale, about broken dreams or alternate lives? Maps, borders, territories. What would fake dating or being in a no-strings-attached relationship with a city be like? What would cityfucking be like, conceptually or not? Revachol's been through much tragedy and bloodshed, and Klaasje's a person marked by regrets and hang-ups herself too. I'm curious about themes and commonalities they could share (on a narrative- and character-level).
 
Klaasje Amandou/Ruby

Classic ambiguous and/or #rancid vibes and romance... smoking together, Ruby shows Klaasje her truck with her secret Rita Haywood poster collection or something, Klaasje admiring Ruby's physique (she seems to like muscles, huh...) and them broaching intimate depths in conversations, fabricated childhoods and painful pasts, etc. all under a veneer of nonchalance?

Lilienne Carter/Joyce Messier

Dear nominator: you have a fantastic and huge brain; these two could be great mirrors and foils to each other. I imagine there's a huge gulf of position between them in terms of class, privilege, wealth, mobility -- what about scenarios where they both get stuck in the Pale, or switch positions for a day? Might Lilienne work to overthrow the Wild Pines Company? Is Joyce not as heterosexual as players may assume her to be? (She is, indeed, an unreliable narrator herself.)

Soona Luukanen-Kilde/Novelty Dicemaker

There are hints she and Neha knew each other while Soona was programming for the failed game studio. Maybe they meet and talk about their crafts, plus the not-at-all ominous hole in the world? Reminisce and commiserate about past days? Pranking people who call or enter the Doomed Commercial District together? Neha customises a pair of dice for Soona, Soona tries to craft technologically-inspired flowers out of computer parts and flowers? Philosophical chats about precarity and what it means to try, and try again in their world?

呪術廻戦 | Jujutsu Kaisen (Manga) Ieiri Shoko/Iori Utahime

Missed chances, old school friends, reconnecting as adults... I love how bittersweet these two are and I'd love to see your take on them! Perhaps them meeting again during Shibuya?

Ieiri Shoko/Kugisaki Nobara


I'm down for all the power dynamics and fucky relationship happenings with these two; I don't mind Nobara entreating herself to Shoko even as they both know it's a terrible idea to get involved. Is Nobara drawn to Shoko because she seems cool and collected on the surface, even if she's a crumbling heap beneath? I like the idea of painplay for these two, but I wouldn't mind a more off-kilter look where the relationship feels "internally" healthy even if to an outsider they would look terribly messed up.

Zenin Mai/Zenin Maki

Yin/yang motifs, the poetic cinema of dying the same way you were born (by your sister's side, in the water), the inherent homoeroticism of your sister being your first love... these two hurt my heart in the best way. Give me relationship studies, bitter breakups, snapshots of their lives in the Zenin house... anything! Anything about their love and complicated devotion to each other.
  • AUs where Mai survives, and things get better—or worse?
  • Found documents, a catalogue of personal artefacts in Mai and Maki's rooms; Maki looking through Mai's belongings after 149, perhaps. Alternative formats that hint at their lives in the Zenin house!
  • Epistolary: unsent letters, a history of Mai's emotions in her first term or year in Kyoto. When does Mai figure out that she might have to sacrifice herself one day? Why does she hesitate with telling Maki?
  • Maki meeting Mai in her dreams, processing her grief; Mai-sword conversations (?) and shenanigans.
  • Kinky ideas: gunplay or gunfucking, dream sex, bathtub sex (amniotic fluid imagery and metaphors, perhaps?), misuse of cursed techniques.
  • Revolutionary Girl Utena AUs, with Mai as a Black Rose duellist.
Kugisaki Nobara/Zenin Mai

Mean girl 4 mean girl ship of my heart! I love their prickly banter but I'd also love to see any explorations of them possibly getting to a place of understanding with each other. I'm besotted by their clash in values, worldviews, backgrounds and opinions most of all. I'm open to AUs where Mai survives (instead of Maki?) and they have to navigate the world after. Or outsider POVs from Maki's perspective. Or situations where Nobara starts out admiring Maki and then realises Mai's the real gem she's after.

Kugisaki Nobara/Zenin Mai/Zenin Maki

A classic. There's the well-loved dynamic with the three of them being in a polyamorous relationship, but I'd love to see your take, including if it ventures into different ground! I'm fine with major canon divergences like both twins never joining the jujutsu school(s) and meeting Nobara some other way. I'm also open to Mai and Maki mutually pining while having a ~thing~ with Nobara and/or having fights over who gets to take her out, lol.

Zenin Mai/Zenin Mai and Maki's Mother
Zenin Mai and Maki's Mother/Zenin Maki
Zenin Mai/Zenin Mai and Maki's Mother/Zenin Maki


Going to be upfront: my prompts for this pairing are deranged and likely fall under several umbrellas of dirtybadwrong, but if you already have something else in mind, please go ahead; I'd love to see it! Maki's matricide has simply given me a craving for deep dives into her dynamic with her mother. I'm intrigued by Maki's unresolved issues and lack of closure for her relationship with her mother, and simply imagine that Mai probably went through a similarly tumultuous relationship with her.

I'm down for darker themes, including but not limited to abuses/imbalances of power from their mother, springing out of the Zenin clan's repressive and claustrophobic environment.

Prompts below were written for both Mai/her mother and Maki/her mother, but feel free to disregard whatever's not relevant. You can also read on for my rambling if you want more details on what I think about their dynamic.
  • Mother-daughter dubcon, in either direction; canon-divergent AUs where Maki leaves, and her mother is driven to seek comfort in her due to grief or the general stress of, uh, being a woman in the Zenin clan.
  • Period sex, finger sucking, misuses of ceremonies and grand occasions for sex, with or without dubcon.
  • The twins' mother forming a bond with Mai or using her as a pawn to piss off their father.
  • Late night meetings that cross the boundaries into abuse or other transgressions.
  • "Educational" sex, Mai involuntarily losing her virginity to their mother under the guise of her mother trying to teach her about what to expect... Mai feeling conflicted afterwards, especially if she'd wanted to do it with Maki instead.
  • AUs where Mai or Maki return home from the technical schools, and having to reckon with the threat (indirect or not) of their mother.
  • AU where Maki leaves her mother alive, and they deal afterwards (or not) with their grief and complicated feelings over Mai's death.
Given what we know of the Zenin clan, I think it wouldn’t be a stretch to  imagine that the twins’ mother was isolated in a ‘lonely at the top’ way, with a… husband like Zenin Ougi… and imo she could’ve projected her unmet needs onto her daughters, particularly Mai (who is more similar to her in mannerisms, style, and dress, though not necessarily in deference; Mai’s a snarker).

At the same time there’s the compelling thread of how, despite resenting the twins, she’s also bound inescapably to them by blood; there are hints she wields political influence, at least in the shadowy form, with how she advised Naoya in ch. 138, but she’s held back by them.

There’s a possible element of her envying the twins’ freedom from the clan’s social mores, while refusing to acknowledge that to herself. If you subscribe to the idea that she’s in a loveless marriage: she could be jealous of the twins’ affection for each other! And lash out by trying to undermine their love.

Some notes for what I'm obsessed with in these pairings: simmering generational pain and rage expressed and filtered in unhealthy/dysfunctional ways, the horror of motherhood being folded into their relationships, the inability for the twins’ mother to relate to her daughters and show them love and care at all, the reversal of parent-child dynamics, etc. Mai or Maki tolerating a certain amount of boundary-breaking behaviour or dubcon/noncon from her, because it's the only time she's vulnerable or loving.

Saving Face (2004)Wilhelmina Pang/Vivian Shing

Some context on what I like about this film: I watched this recently and I love the warmth and comedy in this movie, and melancholic undertones about trying to start again despite shame; I love Will's unexpected commonalities with her mother who's navigating a secret too, but most of all I think there's a lot of possible post-canon bonding to be had, or mid-movie scenes from Vivian's perspective. Or that moment Will's mum walked in on her with a girlfriend. Or what about that first meeting they had, and Vivian's realisation that she loves women (and Will, eventually?) It's been years since this movie came out and I don't mind something set close to our present day, or Will and Vivian closer to middle-age and a look at how their relationship might look years down the road.

I can read/understand Chinese, so feel free to bring in cultural references or Chinese text if you want.

Shoujo Kakumei Utena | Revolutionary Girl Utena Arisugawa Juri/Himemiya Anthy

These two seem like they’d have many interesting intersections and conflicts. I’m intrigued by the idea that Juri could’ve nearly been a Rose Bride and Anthy turning her complicated/non-straightforward manipulation upon her. I don’t have many specific ideas, mostly because I don’t have a good imagination; please go wild!

Arisugawa Juri/Tenjou Utena

Utena and Juri's conversation about Juri's relationship with Shiori is so loaded and especially iddy for me, and that's what entranced me about this crack ship -- they're both inwardly dysfunctional individuals who are also arguably the most """chivalric""" within the student council, but with their frictions and differences in values. Juri's far more cynical, and I love her inner tortured self. In other words: go wild!

Kaoru Kozue/Takatsuki Shiori

I'm intrigued by all their similarities as manipulative (evil/blue) purple girls with messed up relationships to femininity -- please feel free to write them bonding or egging each other on or any other AU with canon events, whatever compels you about them.

Terminator (Movies) Sarah Connor/Grace Harper

The sexual tension is just off the charts, but I like Sarah's groundedness and weariness next to Grace's lightcracker challenger personality; down for anything about these two! I like the idea of Grace coming to Sarah while pining for Dani. Or extended delightful or miserable roadtrips.

Sarah Connor/Grace Harper/Dani Ramos

Navigating the pathways to the future together; fix-its where Grace survives; Sarah and Grace teaching Dani fighting skills together; finding Dani's family; camping in the woods; mutual hurt/comfort (including whump) after fights.




The Half of It (2020) Ellie Chu/Aster Flores

Parallel narratives; epistolary formats; meeting again after the movie's end; trying out a relationship together. Alternative first meetings.

The Locked Tomb Series | Gideon the Ninth Series - Tamsyn Muir Camilla Hect/Nona
Pyrrha Dve/Camilla Hect


The Pyrrhacule family won my heart, even if they may be a mess of psychosexual roleplaying and codependence according to Tazmuir, and I'd love to get more -- comedy, other poignant after-school conversations, etc. I'd also love hurt/comfort with Pyrrha patching Camilla up after an injury (augh), and so on. With the found family foursome, feel free to just focus on any two of the characters instead of all four of them.

For Nona/Camilla: Nona's crush on Camilla was very cute and sweet and I love the bittersweet directions it could be taken in. Nona is Camilla's mission! That kills me! I love women dedicated to young wards. Camilla perhaps indulging Nona in the bathtub...? Fleeting touches, very ambiguous but intense casual physical intimacy would be my jam too. I'd also love to see Nona from Camilla's perspective, what with Camilla potentially mourning Harrow and Gideon and perhaps seeing shades of her friends in Nona, feeling like spending time with Nona is a means to be closer to them, and so on. I'm fine with sexual content though I'd prefer you avoid any exaggerated focus on Nona's youth, naivete, etc. or her having an entirely childlike understanding of sex.

Camilla Hect/Coronabeth Tridentarius

They had to join the BoE together! As Yet Unsent gave such a juicy view into their relationship, and I'm weak for Camilla being asked if she's Cor's partner. Grudging interactions, flirting, etc. anything that develops their interactions more would be gold to me.

Camilla Hect/Dulcinea Septimus/f!Palamedes Sextus


I'm really intrigued by this; feel free to go in any directions that compel you, working off The Unwanted Guest or other things!

Coronabeth Tridentarius/Ianthe Tridentarius


Codependency, that messed up moment your sister didn't choose you to cannibalise, spinning out the aftermath of "Babs? Who cares about Babs?" and so on. I've read As Yet Unsent so feel free to work in the reveal of Coronabeth's hidden neediness, or all the ways she's the worse twin. I'm down for anything about their twisted dynamic. Some ideas: Ianthe being subtly jealous of Coronabeth's affection for other cavaliers (Gideon, Judith, et al.), an AU where Coronabeth does get to be Ianthe's cavalier, an AU where Coronabeth doesn't betray BoE and sticks to her guns and they remain bitter enemies in an inter-galactic conflict...

Kinky ideas, if you swing that way: power plays in bed, praise kinks, Coronabeth trying to shower Ianthe with all the attention she isn't getting, knifeplay as a demonstration of Coronabeth's worthiness of cavalierhood. Whiffs of necrophilia and body horror (in the form of intentional mutilation, Ianthe mocking Corona with all the ropes of what she can do as a Lyctor) while Ianthe is in Babs's body. I'm fine if you want to go AU and write/draw a missing scene where Ianthe is in her own body instead of Babs's.

• Coronabeth letting Ianthe practise small doses of cannibalism or animaphalia on her.

• Ianthe and Coronabeth performing Third House marriage/scarification vows and rituals secretly with themselves.

• Ianthe gets arranged to marry another necromancer (Harrow, perhaps). Coronabeth gets jealous.

• A 5+1 times style study of (twisted) birthdays they've celebrated over the years. Creepy or messed up variants of their "fuck, kill, reanimate" games. Or various times Coronabeth's been mistaken for Ianthe's partner/girlfriend, and vice versa.

• A look at Third House rituals they've done, from the bizarre to ostentatious to downright weird; ritual sex even, where they've been asked to consummate their bond or mark the anniversary of their House's founding (or something...) in front of their peers, parents, anything.

• Alternatively, the Ninth House is obsessed with preservation and entombment, the veiling away of the past; what if the Third House is obsessed with gaudy opulence and the appearance of liveliness even in death? I'm thinking Ianthe having to use flesh magic to build/add on to corpses and a young Coronabeth trying to help her.

• Unexpectedly tender first-time sex with each other.

Cytherea the First/Ianthe Tridentarius

"I’ve tried the sister thing already,” said Ianthe, circling around to one side, “and I wasn’t any good at it.”
“But I have so much to teach you,” said Cytherea.

I think that explains it all.

But also! Loved their spark of antagonism in the fight at the end of Gideon the Ninth, loved the casual grace with which Cytherea severs Ianthe's arm. Also, Ianthe skewering Cytherea...

Feel free to transplant them into an AU where Cytherea survived and Augustine, Mercy, or G1deon died at Canaan House instead. I'd love a twisted mentor/protege relationship with them, where Cytherea's the only one who can cow Ianthe's inflated ego into whimpering submission. Give me sexy avulsion, choking, painplay (Cytherea siphoning Ianthe's soul for herself, Ianthe letting her do it for the social points), all the works.

Alternatively: Mithraeum politics and power plays, with Cytherea continuing to plot God's demise behind his back? Particularly with the constant, chronic pain she's been subjected to over the years. Ianthe perhaps coddling up to God and then going behind his back to talk with Cytherea about her plans while being fucked (or fucked over) by Cytherea, in every sense of that word? Anything goes in my books for this; you could give me something simple like the two of them being cloyingly and performatively sweet one moment then debauched and cruel the next, and I'd gobble it up.

Cytherea the First/Mercymorn the First

Body horror, seeking solace in each other, plotting together, meeting in the afterlife/River and dream bubbles, Mercymorn trying to alleviate Cytherea's chronic pain, sexy shenanigans with adjustments for Cytherea's chronic illness.

Gideon Nav/Ianthe Tridentarius

Don't have many specific thoughts except that I enjoyed what we got in Nona the Ninth of these new dynamics, and I'd love to see more; go crazy.

With Gideon/Ianthe, I'm down for banter and comedy and campy weird friendship, and erotic BODY HORROR! with the chussy.

Harrowhark Nonagesimus/Ianthe Tridentarius

Harrow and Ianthe share such a delicious tension, and I'd be overjoyed to see anything showcasing their complicated dynamic; they have their capacities for prickly -- but genuine! -- kindness with each other, and I'd welcome moments exploring those slippery threads of care and distance, neither tender nor cruel; the revelation that they're perhaps sometimes just two [Mercymorn voice] children fumbling in the dark of a hostile situation together. Or go full darkness (death or Ianthe dubconning Harrow), if you like. <3

•  An AU where Harrow doesn't turn away from Ianthe after the bathtub attack: "If Ianthe Tridentarius knelt beside you then, [...] you would press your diminished bloody terror into her. You would crawl like a worm to whatever clinging scrap of solace she would give you.”

• Bed-sharing moments on the Mithraeum, in response to Harrow’s fear over Ortus’s attacks, or other forms of trauma/hurt.

• Either of them trying to cook for each other, with disastrous results.

• Harrow's notes state that Ianthe cries herself to sleep every night. I'd love to read about Harrow discovering this, in a hurt with dubious comfort or hurt no comfort scenario.

• Necromancy used for romantic, sexual, or comforting purposes, such as: breathplay via squeezing on the veins or aorta, slowing each other's heartbeats, etc.

• An AU where Ianthe still experiences issues adapting to her bone arm (pain, soreness, loss of control) after the subtextual bone arm sex scene bone arm transplant and Harrow has to step in to attend to her.

• A far-future AU where both are matured lyctors, Harrow never remembers Gideon, and they've settled more into their roles, where they might have unique hurt/comfort rituals after battles or difficult planet missions. (Sorry, for the record, I love Gideon! Feel free to slip in hints that she's still hanging around, somehow.)

• Harrow and Ianthe comforting each other through homesickness (planet-sickness?): giving each other House artefacts/mementos, or recounting childhood memories and stories to each other. Or: kinking on House titles during comfort sex.

Mercymorn the First/Cristabel Oct

Grief, tragedy, not being able to let go of your cavalier after 10,000 years -- these two hit all my buttons. We've gotten new looks at their pre-Resurrection lives in Nona, and I'd love to see something exploring any other dimensions to their relationship hinted or added by those snippets (Cristabel sure sounds like a badass nun, huh).



Yellowjackets I've kept up with Season 2, so feel free to pull in all the lore you want! Ambiguous endings and ghostly or haunting-related mindfucks are very welcome. Background canon pairings like Shauna/Jeff or Simone/Taissa are fine. 

It’d be a stretch to say the show is that attentive to concerns like these, but I’m open to critical explorations or subversions of the way the show handles concepts like the ‘wilderness’, and ideas about ‘civilization’ and ‘primitiveness’, including if you want to push back on any of them. I think there’s potential to interrogate notions of “girlhood”, who we ascribe girlhood to, and the violence therein of its middle class manifestations beyond what the show does; if you want, feel free to go there.

I don’t have a lot of specific ideas but I’d love to see your takes! I’m cool with AUs where a different set of people get eaten or die and the other characters have to live with the consequences or hauntings (non-human, metaphorical, or not).

Akilah/Mari

Akilah and Mari are nice opposites to me -- Akilah tries to hold onto a sense of normalcy and stability, Mari's the wrecker of illusions and fantasies! What about them trying to survive the hunts and being inexplicably drawn to each other? I'm open to AUs where they survive and have to navigate the The Wilderness Is Calling saga.

Crystal/Misty Quigley

AUs where Crystal doesn't die -- or Crystal becomes a hallucination/haunting like Jackie became for Shauna. Or years after the wilderness, Crystal's still dead, but Misty sees her/still thinks about her?

Shauna Shipman/Jackie Taylor


Ah, longing and weird liminal friendships you could never quite voice out -- what about hallucinations of Jackie in the present day appearing to Shauna as she navigates the murders and cults? What about AUs where the plane crash doesn't happen but something goes wrong in the fabric of the world anyway (an apocalypse, the town is suddenly mysteriously empty) and these two are caught in a claustrophobic and codependent situation where they only have each other, and each others' betrayals and secrets?

Shauna Shipman/Taissa Turner

In the wilderness where ties rapidly change, these two seem to get along really well and get each other—and that continues afterwards into their adult lives. They’re a pair of unlikely commonality: Taissa’s ambitious, Shauna’s soft-spoken and reserved, both have hidden depths of talent and smartness (that conversation about what Shauna would have done in Brown! What Taissa did at Howard!) Down for anything about the relationship!

In general, Taissa’s so interesting to me too—she’s strong-willed in the wilderness, a pragmatist, and yet as a would-be politician she’s known for staying true to her ideals and not misrepresenting herself. Even though she’s the one most fearful of her unconscious, the self she becomes when sleepwalking. What changed before and after the crash? Where do her hallucinations, hauntings, dreams, etc. come from?

Simone Abara/Taissa Turner

To shamelessly quote my friend[personal profile] firstroad, "I fell in love with Simone/Taissa the moment Taissa said Simone never made her feel 'it'. I love practical relationships, entering something with your eyes wide open out of choice and zero impulse, love as a constant decision."

And that encapsulates all my feelings on the matter! But I'm so curious about Simone's life, and Taissa's life with her too, and I'd adore more (dark? sinister? bittersweet?) looks at how Simone adapts to Taissa's political ambitions, and the sacrifices they've made along the way.

Optional prompts, also poached from friends:
  • What if Simone gets entangled with the The Wilderness Is Calling subplot?
  • Anything with Other Taissa - maybe Simone seeing small signs earlier and just dismissing them?
  • For some reason Simone drives up to where they all are at Lottie's wellness centre.
  • Their initial decision to get together and days of getting to know each other; how does Simone react to the mythology of Taissa as the Plane Crash Survivor versus the fact of the person before her?
  • Is Other Taissa and the Wilderness supernatural after all? Does it haunt them?
Taissa Turner/Vanessa Palmer

I like how grand and fond these two seem to be of each other, how much history there is. Why and how did they break up? What about an AU where they gravitate back to each other over the years many different times (even if they don't act on it) because they know a side to each other nobody else ever could, from their wilderness days?

Optional prompts, poached from friends:
  • Van gets involved in the darker side of politics.
  • Taissa packs it in and tries to help Van's business.
  • A (painful) reunion years after the wilderness.
  • "What I want most is to have been a girl with you and played on the opposite team so I could have liked you and competed against you at the same time." (Eloise Klein Healy); Well, they did all that, albeit on the same team; would love to hear your take on this and the highs and lows of being on a soccer team together!
Lottie Matthews/Natalie Scatorccio

Wow, that bathtub scene was so good for me. I adore the looks of reverence the other girls give Nat but also solemn respect Lottie has for her in the wilderness. As Lottie's successor, how does Nat change her traditions? Or feel free to explore any other directions!

Lottie Matthews/Van Palmer/Misty Quigley/Natalie Scatorccio/Shauna Shipman/Taissa Turner

THEM. The psychological haunting squad! What did they bring from the wilderness and what did they leave behind? What violences do they carry, within themselves or without? What about the complicated aftermath, and the mythology of who they were before (soccer team) clashing with their selves in the wild? No need to feature everyone in detail; I’d be happy with a focus on any two people in this toxic polyamorous (hah) pairing.

Misty Quigley/Natalie Scatorccio

YOUR HONOUR, I love them. They're terrible for each other in all the perfectly good ways. Misty is such a failgirl and delightfully morbid, and I love how she and Natalie can't quite avoid each other despite their best wishes. To me, they're disasters waiting to be sprung. Feel free to take this in all the creepy, disturbing, erotically gory or cannibalistic places you want or explore what compels you about them. Some (super) optional ideas:
  • Tie-ins or explorations of Misty's backstory; early interactions between Misty and Natalie.
  • Unconventional or downright strange getting together fic for them.
  • Serial killer or time-loop AUs, where Natalie and Misty are trapped together in claustrophobic situations that nobody else shares with them (and maybe drive each other crazy, or are drawn involuntarily towards each other because they have no other choice).
  • Road-trips but much further out this time, with them trying to escape all the messiness of the Yellowjackets team or the haunting effects of the wilderness, and them not quite succeeding, perhaps? This goes double for these two: ambiguous or surreal endings are welcome. 
  • Accidental (or not) drugging of each other. I'm horrified and fascinated by Misty's use of poisoning as a way to lure people into dependence on her and then eventually as a weapon in adulthood. I think Natalie would find ways to escape because she's savvy, but what about a 5+1 times fic about times Misty tried to poison Natalie, literally or metaphorically?
I'm fine with Natalie and Misty being interpreted as lesbians who haven't realised it; alternatively, you don't have to explain anything to me either!


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