Yuletide Letter 2024
Oct. 5th, 2024 12:52 pmTreats are always welcome. I can be found elsewhere at
General Likes
- gen, f/f, fic of all ratings
- nuanced, intense, or unconventional relationships
- enemies/friends to lovers, or scrambled versions
- relationships ambiguous or difficult to define
- relationships which require work; relationships where people need more than each other to be content
- love or loyalty mingled with resentment, etc. complex feelings in general!
- codependency, manipulation, (inverted) power dynamics
- pre-canon, post-canon, canon-divergence AUs; canon extensions or explorations, including of marginal places, ideas, details, or character interactions only hinted at
- banter, humour, worldbuilding, character explorations, missing scenes, hurt/comfort, slice of life, crack treated seriously
- ambiguity, bittersweetness, hopeful/melancholic moods, second and third person POV, experimental prose styles or structures (e.g., non-linear narratives, interactive fiction, metafiction, genre pastiche, etc.)
- friendship, courtship, worldview clashes, physical intimacy, reunions, gestures of love (sweet or violent), getting together fic, mentor/protege dynamics
- characters grappling with suboptimal or dysfunctional circumstances and settings (whether darkly or constructively)
- cultural, sensory, setting details; architecture, scenery porn, indulgent and loving descriptions; theatre, performance, competence, confidence; ‘fish out of water’ scenarios
- confrontations, denial, emotional repression, unhealthy coping mechanisms, role reversals
- deranged maximalist or megalomaniac characters; emotionally straitjacketed or alienated characters
- dreams, liminal places, hauntings, fractured identities, surrealism, magical realism, absurdism, ceremonies (funerals, send-offs, baptisms, etc.)
- history, the calm before/after the storm, beauty amidst bleakness and cruelty, ruins and remnants
- backstories, matriarchial families, complex mother-daughter relationships, weaponised femininity (literal or metaphorical), dysfunctional families, ambivalent legacies or heritage
- psychological/existential horror, atmospheric bleakness, gothic settings; body horror, pain as an axis for transformation or self-knowledge, the weirdness of having a body, being alien to yourself
- recovery, uneasy aftermaths; romanticised cannibalism, moral ambiguity, incongruous domesticity, unexpected joy or tenderness, Faustian bargains, ethics, material culture, characters denied catharsis or reaching hard-found satisfaction
- road-trips, greenery and NATURE, everyday streets, water bodies, hair-washing, wound care, bathtubs, political economy, politics mixed in with mundane life
- tragedy, loss, grief/mourning; stories about being unable to return somewhere; stories about living with loss
- unreliable narrators, narratives colluding with characters of uncertain morality, estrangement, falling for the "wrong" person (&/ being happy about it)
- narratives about monstrosity; benevolent monsters (interpreted widely), monstrous women
NSFW Likes
I love very emotionally intense or character-driven sex. I love fraughtness as much as characters exploring a kink just 'because', or kink that sheds light on new aspects of relationship dynamics. I also enjoy sex as a way to process trauma or intimate interface for embodiment, complicated histories/dynamics, and more. I'm cool with past sexual assault being referenced or sex needing to stop because of old wounds/trauma, for instance.Most of all, I'm great with so-called 'vanilla' sex (fingering, oral, penetrative, grinding), but I'm also very into Liminal and Weird Sex, such as dreamsharing, sex you can't be sure is happening, sex where the script changes because you're applying it to a monster/eldritch horror, or symbolic/metaphorical sex (e.g., sex as apotheosis), and so much more. This list is general because I don't always have specific kinks I like to see, so if you want to write a kink because you think it's fitting for the characters or setting, please go for it!
- character study via porn
- choking or breathplay
- clothing kinks, clothed sex
- crying during sex
- dom/sub undertones, abuse of authority
- dubious consent (of any kind, e.g., due to power imbalances, identity issues, "fuck or die" scenarios, sex pollen, altered mental states, etc.)
- finger sucking
- oral sex and/or fingering
- first times, loss of virginity
- focus on hands, wrists, necks
- friends/enemies with benefits
- bad/awkward sex (either funny or depressing), talking during sex
- emotional sex, grief-fuelled sex, hair-pulling, under-negotiated kink, characters kneeling
- edging, meandering sex, sex that may not revolve around orgasms
- gentle/caring or reverent sex
- gunplay, knifeplay, (mis)use of magic
- painplay, consensual pain/violence (especially if characters get off on it)
- psychosexual obsessions or tones, plotty porn, politics with porn, “if I must solve a dozen geopolitical problems just to have sex with you then I will”-esque dynamics
- sexual fantasies and masturbation
- sex as self-harm, desire asymmetry
- sex described in unconventional ways (preferably in line with the tone of canon)
- sex that necessitates adjustments or creativity (e.g. for chronic pain)
- sex that is actually about something else; sex where characters think about their relationship to god or other highfalutin things; things that are objectively not sex being, in fact, a sex scene (example)
- smoking kinks, stubbing cigarettes on someone
- someone denying another person sex because they think it’ll fuck them up; people fucking anyway
- erotic body horror; sex that's objectively normal but reads subjectively like body horror due to things like disorientation, power imbalances or interpersonal fuckery, dissociation, embodiment issues, or in-universe reasons
General DNWs
- M/F sex/noncon or M/F incest (if canon, references are fine); unaroused victims
- explicit underage sex < 18
- bestiality
- genderswap (unless requested)
- kidfic/de-aging (childhood flashbacks and scenes are fine)
- pregnancy/abortion, characters expressing the desire for biological children (unless canon)
- mundane AUs (e.g. coffeeshop, high school AUs)
- extensive descriptions of weight gain/loss; forced feeding, stress-eating (unless it's cannibalism), mentions of calories, explicit fat shaming
- graphic descriptions of war crimes (especially by Imperial Japan)
- scat, emetophilia, watersports, age/race/petplay, breeding kinks, cervical penetration, weight gain/stuffing kinks, spanking, omegaverse
- trypophobic imagery (clusters of holes)
Blue Eye Samurai
Akemi, MizuI adore their unexpected commonalities and how clearly they see each other, in a universe where social webs of discrimination and misunderstanding reign supreme; they're both attuned to characteristics in each other that other people ignore such as anger and resourcefulness, while seeing through the ones that are socially valorised like Akemi's talent for sweet words and flattery. I'd be down to hear your take on how they might cleave under some layers with each other to touch and connect with the hidden substrates of anger in each other, even as their inevitable divisions exist and intervene. Scenes that presage more, beginnings of something deeper, alternative pre-canon accidental meetings, looks at both of them slash-and-burning their way through Japan's norms in their own high vs. "low" avenues would all be welcome!
Episode 5 was a highlight for me, what with the metafictional staging of Mizu's backstory and the way we learn about some key components for what makes Mizu tick: the constant proof that the other shoe will drop in others' reception of her because of Mikio and her mother turning her back on her, the incongruity of her talents with the domestic sphere, her sobering acknowledgement--but not total personal belief--that her talent for swordsmanship will always be inherently parsed as threatening by accidents of societal position. With all that in mind Akemi's one of the best-positioned people to explode those assumptions in Mizu's worldview and vice versa too, and I'd be delighted to read your take on what they learn, or take away from each other, or even any dissonant neuroses they make each other devolve towards if you fancy. No need for full-on happy endings or even conventionally requited feelings here -- if you see them parting ways eventually but still indelibly emancipating each other amidst their separation that'd still be a fantastically romantic story to me!
I'll admit I was ambivalent on Akemi's "I want to be great" and shogunate arc, but more because of the how than the what -- I thought her bridge declaration was a moment of character undevelopment for her earlier realisations about the prisonhood of her station, and I wasn't fully convinced of "girlboss her way through" as a coherent answer to all the discontents of her fate. There is more than a single path! That said: you don't have to shun that arc at all, I'm happy to read your take on BES's rich canon tapestry. However if you like me have wrung your hands trying to decide on a more fulfilling arc for Akemi as if you're Akemi personal college counsellor then I am equally down for your most bombastic, out-there, or covert subversion of her canon fate(s). Akemi maintains ties to a underground network of spies and intelligence made up of the women she met in the brothel? She ekes out spaces of escape from the imperial palace(s)? Go for it!
- That first encounter on the bridge: what went through Mizu's mind? What things made Akemi stick clearly in Mizu's mind, beyond the fact that she's a lady?
- Incongruous domesticity, or: I like the idea that Mizu and Akemi would probably be horrible at domestic chores, Mizu by canonical confirmation and Akemi by inference (see: her highborn station); feel free to give me disasters that would ensue from them living together, and how domesticity might take a backseat to their respective quests and simply form a backdrop for other political/extralegal (i.e. Mizu's revenge quest) developments.
- AUs where Mizu and Akemi stay longer at the brothel; scenes exploring the brothel's impact on them.
- AUs where Mizu arrives at the bridge earlier, doesn't go to England, and compels Akemi to go on the run with her.
- Alternative formats: I'm open to in-universe looks at Mizu/Akemi's relationship through historical documents or artefacts set in the future.
- Akemi possessing knowledge of historical instances of gender non-conformity like onna-musha from all that reading and teasing/taunting Mizu with YOU THINK YOU'RE SPECIAL? all while Mizu is like: 🥹
- Akemi and Mizu respecting each other's respective skills in craftsmanship.
- I'm quite taken with water as a metaphor for Mizu: to shamelessly quote one of my friends Mizu is a thoroughly relational character whose modes of connection with the world are tragically shut off by that same world, and like water she relies on inputs, ecology, a place in a wider world.
Some of my DNWs are waived for this fandom; I'm fine with depictions of Mizu/Mikio but would rather not see detailed descriptions of sex for Akemi/Taigen or Akemi/Takayoshi. Given Akemi's position as of the finale, I'm fine with her being conscious of expectations to produce heirs, but would rather not see her written as someone uncomplicatedly embracing parenthood or motherhood without being aware of it as a politically necessary move.
I'm also fine with M/F sex being in the background given the general setting and the fact that the show is set in brothels for part of the time but would prefer as little emphasis on M/F noncon in the worldbuilding/setting as possible.
Exordia - Seth Dickinson
Any Character(s) (Arîn Tawakuli, Blackbird, Rosamaria-Blackbird, Iruvage, Jiyan "Anna" Sinjari, Khaje Sinjari, Ssenenet, Ssrinsahautha-ku-Ssraaa | Ssrin, Worldbuilding)I mean it. Go buckwild with featuring any of the tagset characters! Exordia is the new shiny fascinating fandom taking up residence in my brain. I don't have a lot of specific ideas, but I'm intrigued to see your take on Exordian empire shenanigans, the characters' fates in the BIG SENTIENT SPACESHIP, the ethics of drone strikes, the ugly human costs of American imperialism and exceptionalism, and I'm fine if you mix upsetting historical events with crylaugh-inducing gallows humour like the canon does. I think this book is begging for worldbuilding excavations too, so feel free to take any of the many events that likely made you go "WTF was that?" and dig into it.
I'm curious about that framework of narrative importance powering genocide and imperialism -- and it could be interesting for this canon to broach events which blur the lines between free will and uhhhh narrative convenience (in the Exordian sense) among characters we've already seen. Especially if you bring in the eightfold passions!
In general however I do appreciate how Seth writes the Tawakuli women as strategists and resourceful people than simply recipients of geopolitical menaces, whose historical pain may be marginal in the narratives of American imperialist projects but are in fact central to the mechanisms of subjugation. I like that nobody in Tawakul really finds it strange for Tawakul to be so central to intergalactic geopolitics -- because there is no split between 'normal' geopolitics and what happens to the everyday lives of remote or marginalised peoples.
A rough grouping of characters and prompts:
The Kurdistan troupe (Arîn, Khaje, Jiyan "Anna" Sinjari)
- I wish we'd gotten to see more of life in Tawakul and some of my favourite hysterical moments were the conversations between Arîn and Khaje. Please feel free to give cursed domestic moments with a drunk utterly parenting-indifferent Khaje who has to fend off an Arîn trying enthusiastically to adopt her as a surrogate mother.
- Cursed domestic life with Ssrin after the whole New York prelude. How does Ssrin fend in the company of humans of the same breed who are nonetheless so different and armed??
- AU or headcanon... thing... that Arîn may be Anna's hesper-mate. If so, gee, isn't it supremely convenient that Tawakul had the conditions to birth someone like Arîn?! This and more free will questions in the local news o'clock in Tawakul.
- Does Rosamaria-Blackbird conjure up a Space Uber at some point and return to earth to visit Arîn?
- One thing that breaks my heart is how Arîn and Anna's positions are reversed by the end: Arîn's the ""exile"" who has to leave her community behind, and Anna is... part of something again. I'd love explorations of them as foils and parallels!
Love Island in Space! (Blackbird, Rosamaria-Blackbird, everyone on the spaceship at the end)
- Self-explanatory title, sorry. Um, but yes, shenanigans?! Weird grief-fuelled loopy adventures? Dark warped Doctor Who-style visits to planets and sinister doppelgangers?
- Sex pollen/fuck or die scenarios. Rosabird has the worst idea of how to make humans relax. Along these lines: everyone gets dosed with a truth serum. Nobody has a good time.
- More little magical cannibalism.
Haha, I'm sorry (again). The title was my silly segue for lesbian sister-snake incest but in honest terms I'm just down for anything that explores their history and Childhood on Exordia, gen or not or blurring the lines between. I'm also intrigued by all the lingering descriptions of Ssrin's womb at the end of the book?! What's going on there? Did Ssenenet do something to her? How did they end up on opposite sides of a bloodthirsty intergalactic conflict?
THANK YOU, NEXT (Iruvage, Ssrin, Iruvage's
- Iruvage endeared me with his stuck caps-lock button. I love that he is SO campy. You could write an entire first-person villain monologue from me and I'd lap it up.
- The hint that Iruvage might have had a lesbian hook-up with human!Rosamaria???
- Where does Iruvage go? What was Iruvage like in snake alien school? What insufferable philosophy bro disses or things has Iruvage done in his lifetime?
- Iruvage the hopeless romantic for his patron.
舞妓さんちのまかないさん | The Makanai: Cooking for the Maiko House (TV)
Any Character(s)I love what this show does with sisterhood and community, and I love Hirokazu Kore-eda's poetic directing style! I'm cool with various tones, including ones more pensive, slightly more dark, and bittersweet than the show's. For any pairings here, feel free to bring in all the cultural, culinary, and historical details you want or may know, and feature other characters seen in the show like Tsurukoma, Kikuno, Kotono, etc. and write about other parts of life in Kyoto, generally.
I've written ideas for some possible configurations of characters below, but if inspiration for a different ensemble of people strikes you please go ahead. I'm also down for bringing in ALL the side character(s) of this show or exploring interactions between unexpected characters, please surprise me!
Mother Azusa & Ryoko
I love bittersweet and complicated mother-daughter relationships so I’d just be thrilled to see any further fic dwelling on or developing their relationship. How does Ryoko feel about Mother Azusa’s bond with her “nominative” daughters? What does Ryoko yearn for from her mother? What sides of Mother Azusa does Ryoko see that the maiko may not? How do things change post-canon, when people are moving on from the maiko house?
Momoko & Yoshino
They’re both “alumni” of the maiko house but they followed such different paths, only to converge again during the show! Their dynamic’s fascinating to me as a result; Yoshino is worldly but less committed to being a maiko, and I sense that beneath their differences they both share the same desire to push back against some geiko traditions. How does Momoko regard Yoshino and do they come to new understandings? Did Yoshino know Momoko’s real, non-geiko name? What scenes might’ve happened in their training days? Or anything else, really! Momoko/Yoshino would be welcome if you’re considering it.
Kiyo & Sumire | Momohana
Food as a love language… :,) Their bond drives much of the show and I love how careful and tender they are with each other. The fact that others in the house pick up on it and compare them to a husband-and-wife pair too (!!). How do things change after Sumire’s inauguration as a geiko? How does Kiyo feel about her new name—are there any ambivalences? What things do they carry with them from home, and how do the seasons (interpreted widely) unfold for them? Kiyo/Sumire is fine and welcome if you feel like writing it.
Momoko & Sumire | Momohana
Love their mentor/mentee relationship; what about Momoko teaching Momohana more dances, wisdom about their trade, and showing a different, quirkier side of herself to Momohana? Momohana seeing things through Momoko’s eyes while developing her own style and identity as a geiko? Do they push back against or subvert any geiko history or traditions together?
Shogun (TV 2024)
Toda Mariko, Ochiba No Kata, Usami FujiShogun captivated me with its competently and intricately written political intrigue, and I love the unconventional, fulfilling p/bathos of its ending. I think its runtime was perfect and little was superfluous in its pacing. That said: I'm now craving excavations of its women of all stripes, from their backstories to their philosophies and worldviews, as well as just spending time unpacking all the worldbuilding goldmines in this show. If you wish I wouldn't mind any incorporation, inspiration from, or allusions to real-world Japanese history and would in fact be elated to see the literary/cultural/historical details that enchant you.
I've selected giver's choice for this fandom and would love any stripe of gen or f/f you want to write, but I'd also like to put it out there that I'm fine with any configuration of F/F between Fuji, Mariko, and Ochiba no Kata/Ruri, including multiple pairings in a single fic if you like.
References to Mariko's husband or her relationship with Blackthorne are fine, but I'd be grateful if you avoid on-screen descriptions of M/F sex or endgame Mariko/Blackthorne.
Toda Mariko
- Life stories, poetry, her negotiations of the line between Catholicism and Shintoism and Buddhism.
- AU where Mariko survives (it was an elaborate ploy all along!) and goes incognito or undercover after.
- Post-canon meditations or studies of grief from other characters about Mariko.
- All of Mariko's scenes with Ruri/Ochiba no Kata made my heart sing. To... shamelessly cite myself, I'm sorry... I wrote a little about them here. There's lots of history there! I'm taken with how clearly and piercingly they see each other, so agonisingly so that it's difficult for them to make direct eye contact during that interpretation in the garden scene. All this happens while they're dancing across a chessboard of politics, resentment, and wistful pining for what they've each lost over the years!
- Mariko and Ochiba are, imho, the perfect candidates for the "If I must solve a dozen geopolitical problems just to have sex with you then I will" trope.
- AUs where Mariko... somehow... ends up attached to Ochiba no Kata's entourage instead and works as an interpreter for her with all the blurring of professional and personal boundaries that entails.
In a show full of people weathering adverse circumstances and difficult choices, I think Fuji's are some of the ones that have touched me the most. I'd be delighted by any snapshots of her life in a nunnery or canon-divergent scenarios where she crosses paths with Mariko, Ochiba no Kata, or any of the women in Shogun more!
Ochiba no Kata
- More loaded confrontations with Mariko.
- Ochiba no Kata exuded an insane amount of presence in the show, but I'm curious -- who is she when behind screens and out of visibility? How does she parse her own decisions and/or trajectory to herself?
The Left Hand of Darkness - Ursula K. Le Guin
Ashe Foreth rem ir Osboth, Arek Harth rem ir Estraven, Therem Harth rem ir EstravenThis book is simultaneously close to my heart and something I’m incoherent about, so I apologise for the brief prompts below! TLDR: I’d love to see your take on these relationships. Any configuration of the requested characters is welcome, although I mainly have prompts for Ashe/Therem and Arek/Therem below. Feel very free to bring in worldbuilding (working off myths, folklore, economics, architecture or social customs, politics, kemmer, etc.) or explore and extend implied scenes, pick at that lingering plot detail that stuck out to you, and so forth. I love Le Guin’s anthropological eye, and minutiae of life on Winter is welcome.
I’m fine with any treatment of Gethenian pronouns, though I’m slightly fond of the universal ‘she’ in some of Le Guin’s short stories in this universe. We perceive much of Gethenian gender through Genly's eyes, so I'm intrigued by the idea of seeing a Gethenian's insider perspective on their gender system or the sociality/performativity of gender, beyond what we hear from Therem, as well as any slants of gender that are 'alien' (to humans in Le Guin's universe) but also humanised. Along those lines... I'm down to hear about how different Terran humans may have a big internal heterogeneity of positions relative to the big ~cultural cloud of gender~ themselves, and if notions of gender change for Terrans who are racialised/gendered in different nuances or shades.
I've selected giver's choice and am fine with any configuration of characters or pairings appearing in fic. Some ideas for possible pairings below (but please don't limit yourself):
Ashe Foreth rem ir Osboth/Therem Harth rem ir Estraven
What a tragic relationship; I’m down for first meetings, things unsaid but affecting them from Estraven’s past, or a look at how their relationship might’ve been like before things soured and after the souring began. Feel free to give focus to Ashe’s life; I’m interested in how Ashe’s role as a Foreteller (or aspirations to it) shaped them both, including after their separation. If Estraven survives, do they meet one last (bitter) time, or get closure?
Arek Harth rem ir Estraven/Therem Harth rem ir Estraven
- Moments from their early lives together; when or how they fell in love. Did it happen gradually?
- Their kemmers; how they felt about the myth they were named after.
- Arek as a metaphorical (or literal?) ghost haunting Estraven’s subconscious. (Dead-ended) desires for reunion from Estraven with their sibling.
We Are Lady Parts
Saira, Ayesha, Bisma, MomtazThis show is equal parts moving and hilarious and I love everything from the band's witty songs to Saira's unbeatable romantic tension with every woman she talks with to their dynamic together. I've watched Season 2 as well, so feel to bring in events from it. I've selected giver's choice and mean it: write any configuration of the requested characters that compels you!
I have a soft spot for Saira/Ayesha, in contrast to prevailing fandom preferences, but I'm fine with any permutation between Saira, Ayesha, Bisma, and Momtaz. You don't have to explain anything to me about current canon girlfriends or boyfriends or whatever either -- you can just handwave them if you prefer!
Totally optional prompts:
- I'd love to see that in-universe Saira/Ayesha RPF fanfiction people were writing. Feel free to write the band reading or reacting -- or even work in more serious things about celebrity and public/private personas and the lived complexity of that split for Muslim musicians nested within London Islamic communities if you like!
- I have an amateur pet interest in fashion, so if you want to dress the band members up in more androgynous outfits or taking up more modelling gigs and exploring/exploding the twisty absurdist world of photography and acting I'm down for it! How about more of Saira sticking to her guns or trying to find some way to do an endorsement that doesn't have to rely on capitalist logics... unless?!
- Behind-the-scenes songwriting, explorations of each member's unique voices or songwriting processes. This genre-bending show is ripe for it, so: please feel free to add a magical realist twist.
- I love that many main characters we see have 'typically' working-class jobs like food delivery/Uber drivers, butchers, and posties -- it's rare to see 'rise of a band' or storylines with similar cachet given to people in cosmopolitan London boroughs. Do the band members get any inspiration for songs from their jobs and the absolutely wrecked work landscape of London? Or more vignettes of their mundane competences outside of band moments.